Critique of alfred hitchcocks movie "rebecca"

The movie Rebecca is an excellent example of Alfred Hitchcocks style and eye for exposit that combines with a story filled with psychological fear and settings that argon suggestive and interesting. The film creates an atmosphere surrounding the tragic courtship, marriage, and relationship of a naive, plain, and innocent upstart woman to an overburdened widower, apothegm de Winter, who is haunted by the death of his former wife. Maxims former wife, Rebecca, had it every; beauty, power, and was admired by all. This creates problems for his new wife when she becomes psychologically dominated by the presence and memories of Rebecca. The mysterious housekeeper, Mrs. Danvers, doesnt make things any easier. Her callbacks of the deceased Rebecca orchestrate the young wife to become even more tormented. The ardor destruction of the Manderly Estate at the end of the film reveals the confessedly character of Rebecca and the secrets of her death.

During this classic Hitchcock cinema, many filming and tv camera techniques ar used. The film begins with the opening shot of the dream-state journey to Manderly and a recollection of memories narrated by the unnamed heroine in the film.



During the narration, the camera pauses for a few seconds at the iron gates of the Manderly Estate and then product through them up the drive that has become overgrown with underbrush. At the end of the drive, the

camera tracks to the right where the mansions burned out ruins are seen Silhouetted in a dense mist and viewed in shadows and moonlight. After the mental hospital the narrator begins to tell the story of the strange days of the young womans life. On a rocky coast where waves are crashing against the cliffs, the camera pans left and then up to a man corroding a dark black suit standing at the...

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