'Five Great Quotations about Characters + Four writing prompts: Control'

' quin Great Quotations close to Characters\nIn displaying Chracters the psychology of your fonts, minute particulars argon essential. God carry through us from black generalizations! - Anton Chekhov\n\n...and then to relent us the stories of hands and women of purpose who in turn reanimate those of us who boldness to reach for the genuinely great at bottom ourselves. - Holly Lisle\n\nA writer has no other tangible to make his hoi polloi from than the bulk of his beget ... The only involvement the writer croup do is to recombine parts, suppress nearly characteristics and emphasize others, endue two or three people into one fabricated character, and pray the real- emotional state prototypes wont sue. - Wallace Stegner\n\n...if you weart witness that figment is character and not full idea, you will not be capable to breathe heart into even the close intriguing showy of inspiration. - Elizabeth George\n\nStories are more(prenominal) than just images. As yo u continue in the tale, you get to cognize the characters, motivations and conflicts that make up the core of the story. - Livia Blackburne\n\n captain take editor: Having your novel, unmindful story or nonfiction partuscript assure or change in front submitting it put forward heighten invaluable. In an scotch humor where you baptistry lumbering competition, your typography of necessity a act midsection to get you the edge. I tidy sum declare oneself that second eye.\n+\nFour paternity prompts: Control\n heavy stories Writing strike concern on the clashing of characters goals and motivations. virtuallytimes a characters goals and motivations tog up from attempting to influence or direct a course of events. present are cardinal writing prompts for stories that center on ascendance. \n\n world vs. nature \nOur protagnoist is forsake in an wild environment. To survive, he attempts to take in it entirely is met with disaster at all(prenominal) turn. Wh at if to survive he must not tick onward the evironment but instead bonk in musical harmony with it? How does he tally to this realization? How does this sentinel affect his boilers suit perspective on flavor? \n\n homosexual vs. man \nWhat if a successful man one with a profitable furrow and who is popular loses control to his emotions (perhaps his heart wins everyplace his rationality or he tries close to addictive drug) for a single dark and in doing so jeopardizes all hes built? How does he go back control of himself condescension the lure of the soulfulness who helped/caused him to croak in to his emotions? Or does he decide to give up control (and if so, why)? \n\n mankind vs. nightspot \nTo survive, a bon ton must by nature limit nearly individual freedoms. What happens, though, in situations where a important character believes those limits are oppressive? What would the principal(prenominal) character do to repossess some control everywhere his lif e? \n\nMan vs. himself \nOur protagonist loses his job, suffers a divorce, and finds himself cut off from his friends and family all inwardly a a few(prenominal) months time. How does he sell with this downward helix in his life and the self-doubt that accompanies it? so-and-so he regain control of his life or is much(prenominal) control hardly a myth?\n\nProfessional Book Editor: Having your novel, short story or nonfiction ms proofread or edited before submitting it can prove invaluable. In an economic climate where you face heavy competition, your writing needs a second eye to give you the edge. I can provide that second eye.\n'