Vers le sud Vers le sud portrays the issues of sex tourism, the politics of oppression, and three womens efflux from reality to obtain a fantasy of desire. This film follows the fiction of Brenda, a middle-aged woman from Savannah, Georgia, who travels back to a apply in Haiti to pursue Legba, a young Haitian male. Brenda is joined in the paradise hotel by two other women, Ellen and Sue. The quiet and breathtaking beaches which surround the women inside the hotel grounds at depression give the impression of a peaceful island, yet in brief later we learn that this is a fallacy; outside of the hotel Haiti is alter with destruction and violence. The opening scene of this film takes place when Albert, the notch waiter of the resort, is approached at the airport by a baffle asking him to adopt her beautiful young daughter to alter her to escape the inevitable life that poverty in Haiti prescribes. When Albert rejects, the draw says to him, it is hard to tell the good masks from the bad, but everyone wears one. Although Albert only plays the nipper role of the film, he is used to emphasize the larger consideration of the US-supported dictatorship and its effects on Legba and other Haitians. Albert in a sense represents the dignified, hardworking, yet worn out spirit of the Haitians.
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In Alberts individual monologue, he informs us that his family fought against the Americans, and that his father and grandfather had the comparable racist opinion of whites. He wonders what they would think about him dowry the white people as he does for his job at the hotel. I believe Albert is also used to demonstrate the contempt for Americas economic imperialism; he notes that the American dollars have moody everything they touch into garbage, which leads him to assert that this entire country of Haiti is rotten. The individual monologues extend throughout the movie present not only a literary aspect to the viewer but also, since the film deals with the pillowcase of womens... If you want to get a full essay, order it on our website:
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