It belongs to the fictional (belles-lettres) discourse of prose, while here we may observe the reference to imaginary world created by the author done the artistic images, through the extensive usance of tropes and figures of speech (SD and EM) typical of fictional text.
The communicative intention is to convey the addressee to change his/her mind and believe the author thus ever-changing his/her cultural, aesthetic and ideological benchmarks in the way the author has planned.
The lexical cohesion is implemented through the following repetition links.
transparent lexical repetition: station-stations; he-his; hundred-hundreds.
Complex lexical repetition: have-had.
unreserved paraphrase: sit-occupy, West Bowlby next station
Complex paraphrase: anything-nothing
rally: Denis he, West Wolby it, journey it.
Grammatical cohesion is implemented through the use of articles: the rack, the spirit; compound sentences: Denis took his chattels off the rack, and piled them in the recession opposite his own; complex sentences: When he had finished, he sank…
The semantic nucleus of the text is its central sentence: What correct had he to sit in the sunshine, to occupy corner sit in the third-class carriages, to be alive?
As it was already mentioned, texts be to the fictional discourse have the extensive use of EM and SD.
Epithets: dusty cushions, illuminating book,
Metonymy: leaving the train to creep
Repetition: none, none, none. (ordinary)
nominated sentences: Anything. Nothing.
Enumeration: Bole, Tritton, etc.If you want to get a full essay, localise it on our website: Orderessay
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