The Study of the term "movie studio"

The aesthesis system had to swop when the studio apartment system came under fire. The move toward to a greater extent supreme production in the 1950s ch anyenged aspects of the studio system, though the studio production system remained intact even as it go along to crumble in the face of political reaction, television, rising mugwump production, and the loss by the studios of their exhibition chains after the prevalent decree in 1949, when the Justice Department divested the study producing studios of will power or control of al their theaters, citing such ownerships as monopolistic. The star system also declined during the course of the decade. Studios were forced to cut stick out on production because of the inroads made by television, inflation, and other problems, and overpriced promotional campaigns were abandoned. Star contracts changed from long-term to short-term. Many stars went to simple profit-sharing options on individual films. Many of the stars of the era who had st

rted under the old system also tended to work more independently of the system than ever before. Under the star system, the commentary of a studio was simpler - it was where the stars were under contract (Cook 442).

The studio era lasted for twenty years and was dominated by eight major corporations.

While on that point were clear corporate distinctions among the eight in terms of film production, which depended on the stars under contract and the genres favored, there were few corporate differences in terms of distribution and exhibition. entirely eight indeed cooperated for the common good so that there was no competition per se, and the major differences were in theater style because the corporations dominated different parts of the country (Gomery 24). This ended for all intents and purposes with the above mentioned Paramount consent decree in 1949 when the positive Court decision forced studios to divest themselves of all their theaters (Gomery 49).

The sanctioned structure of the American film industry was set by 1929 with five dominant firms - Paramount, Loew's (MGM), Warner Brothers, Fox, and RKO - follo
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